2002 summary of the "famous chapter four" of Goethe's 1809 masterpiece Elective Affinities by American literature scholar Susan Gustafson. [5] |
“I can put my meaning together with letters. Suppose an A connected so closely with B that all sorts of means, even violence, have been made use to separate them, without effect. Then suppose a C in exactly the same position with respect to D. Bring the two pairs into contact; A will fling himself on D, C on B, without it being possible to say which had first left its first connection, or made the first move toward the second.”
“Wahlverwandtschaft – the natural affinity with which different elements adhere to but also repel one another, as if each were choosing its own particular arrangement. Eduard speaks of chemistry and physics; the Captain, too, of how cohesiveness can be seen in liquids with their tendency to form into round shapes-falling drops of water or little balls of quicksilver or molten lead. At the same time, they all hear descriptions of human relations. Elements and persons: each compelled to spring into activity to form novel and unexpected constellations, a lively movement that disturbs each along the way and of which the ending can’t be predicted in advance.”
Scene of chapter four from the 1996 French-Italian film version of Goethe's Elective Affinities. |
‘Provided it does not seem pedantic,’ the Captain said, ‘I think I can briefly sum up in the language of signs. Imagine an A intimately united with a B, so that no force is able to sunder them; imagine a C likewise related to a D; now bring the two couples into contact: A will throw itself at D, C at B, without our being able to say which first deserted its partner, which first embraced the other’s partner.’
‘Now then!’ Eduard interposed: ‘until we see all this with our own eyes, let us look on this formula as a metaphor from which we may extract a lesson we can apply immediately to ourselves. You, Charlotte, represent the A, and I represent your B; for in fact I do depend altogether on you and follow you as A follows B. The C is quite obviously the Captain, who for the moment is to some extent drawing me away from you. Now it is only fair that, if you are not to vanish into the limitless air, you must be provided with a D, and this D is unquestionably the charming little lady Ottilie, whose approaching presence you may no longer resist.’