A supposed visual rendition of Venus, by Botticelli (c.1483), wherein the sea from which Venus emerged (Ѻ) can be seen in the distant background, and wasps around the head of Mars, supposedly, signifying pain or death. |
“Whence does Venus bring animals forth to life kind after kind, and earth, the magic-maker, nourish, increase, and feed them, kind by kind?”— Lucretius (55BC), On the Nature of Things (translator: Frank Copley) (pg. 6) (1:226-29)
“The poets, through the conjunction of fire and moisture, are indicating that the vis, ‘force’, which they have is that of Venus [Aphrodite]. Those born of vis have what is called vita, ‘life’, and that is what is meant by Lucilius (c.120BC) when he says: ‘life is force you see: to do everything force doth compel us’.”— Marcus Varro (c.50BC), On the Latin Language
“A Venere finis. It is understood that Lucretius felt the significance or significances of her name, the main province of ancient etymology being the names of the gods. Varro (De lingua latina 5.61) etymologizes Venus as the force of tying together fire and water, man and woman: horum vinctionis vis Venus (`Venus is the force binding these things'). He contents himself with the twofold v and the assonance vin—ven (cf. Plautus, Trin. 658: vi Veneris vinctus, 'bound by the force of Venus'), whereas the much more banal etymology in Cicero's De natura deorum (3.62) Venus quia venit (Venus because she comes [to all]') utilizes the whole root. Lucretius could not stop his etymological vein just short of Venus. When he writes (1.227) unde animate genus generatim in lumina vitae redducit Venus? (whence does Venus bring back the race of animals after their kind into the light of life?)”— Monica Gale (2007), Oxford Readings in Lucretius (pg. 367)